Art style: claymation stop-motion animation, textured plasticine figures, handcrafted look, tactile surfaces. Full-length view, the entire figure visible from head to feet, standing upright, centered — Ivan, the most observant fighter of the crew, a lean sharp-eyed Russian man in his early thirties, mid-1990s. Narrow angular face, pale skin, high cheekbones, close-set watchful grey eyes, thin lips, short ash-brown hair cropped at the sides, light stubble. Wiry athletic build. He wears a dark olive military-surplus field jacket over a grey wool sweater, faded blue jeans, and scuffed brown lace-up leather boots. He crouches slightly, one knee bent, fingertips brushing the ground as he reads tire tracks and footprints in the dirt beside a burnt car, brow furrowed in cold concentration. Setting: a smoke-hazed factory courtyard at dusk, cracked asphalt, a charred wrecked Mercedes smoldering behind him. No text. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "claymation stop-motion animation, textured plasticine figures, handcrafted look, tactile surfaces" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "claymation stop-motion animation, textured plasticine figures, handcrafted look, tactile surfaces". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "claymation stop-motion animation, textured plasticine figures, handcrafted look, tactile surfaces" idiom, not in any other medium.
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