Image - 2026-09-18 16:14

A traditional hand-drawn FILM STORYBOARD SHEET for scene 6: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 16:9 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 6-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: WORLD LOCK: Physical anchors: red brick side wall (Anchor 1), green hose reel (Anchor 2), concrete utility path (Anchor 3), and silver lighter (Anchor 4). Lynn (Character 2) is positioned at Anchor 1 in center frame, depth foreground. AXIS LOCK: Axis runs down the side walkway toward the street corner. Camera remains in the shaded side passage facing Lynn against the brick wall. Lynn faces screen-left; camera shoots from front-left. SHOT LIST: [T=0.0-3.5s] SHOT 1 — CU — 85mm. CAMERA: High angle looking down, handheld with distinct nervous micro-jitter. MOVE: Slow push-in toward Lynn's face. ACTION: Lynn huddles against the brick wall (Anchor 1), taking a deep, desperate drag from a filtered cigarette. Her hands tremble visibly. Her eyes dart nervously toward screen-left checking the street corner. She exhales a thick plume of white smoke downward toward her chest to conceal it. EYELINE: Lynn looks screen-left at the alley corner. HARD CUT at T=3.5s. [T=3.5-6.0s] SHOT 2 — ECU — 100mm macro. CAMERA: Eye level, extreme close-up on the brick surface and Lynn's hand. MOVE: Handheld static hold with sharp focus on the impact point. ACTION: Lynn's right hand aggressively grinds the burning cigarette butt directly into the rough red brick (Anchor 1), twisting it until the ember is crushed dead. She quickly jams the crushed butt into her pocket and pulls out a breath spray, spritzing twice into her mouth. EYELINE: Lynn looks down at her hands. END FRAME: Lynn's tense profile as she smooths her collar, eyes wide, preparing to step back out into the open. RELATIONS ARE PHYSICAL: Lynn physically destroys the contraband evidence against the house's exterior surface. INFORMATION CHANGED: Lynn conceals her secret vice, confirming severe hidden domestic distress behind her manic front. SILENCE: Sharp hiss of tobacco burning, Lynn's ragged exhale, friction of paper grinding against rough brick, two quick clicks of a breath spray. SPOKEN LINE — AUTHORITATIVE, overrides any line quoted earlier in this prompt: The only words spoken, in English, verbatim: МАРГО: "Линн улыбается так широко, что удивительно, как ещё держится лицо." Any other quoted line above is outdated — do not speak it, in any language. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.