Image - 2026-09-15 21:19

A traditional hand-drawn FILM STORYBOARD SHEET for scene 6: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. This scene is already cut into 4 shots. Draw NINE panels covering them in strict chronological order, distributing the panels across the shots in proportion to each shot's length: a long shot gets several panels showing how it develops, a short one gets a single panel. Every panel must respect the camera position and framing written in its shot — that is the staging, not a suggestion. Where a shot says the camera is on one side of the action, do not draw it from the other side. SHOT 1 [0.0-3.0s]: SHOT 1 — MS — 40mm, over-the-shoulder. CAMERA: behind Mira's right shoulder, eye level, looking screen-left past her at Ilarion and the capsules. MOVE: SLOW DOLLY IN over T=0.0-3.0. ACTION: FATHER ILARION, screen-centre-left facing SCREEN-RIGHT, lowers his cold hand onto MIRA's near shoulder screen-right; his paternal smile holds; the six frosted CAPSULES loom closed in the background behind him. EYELINE: ILARION screen-right into Mira's eyes; MIRA screen-left at him. SHOT 2 [3.0-6.5s]: SHOT 2 — MWS — 28mm. CAMERA: pushed slightly wider behind Mira's shoulder, eye level, on the near side of the axis, now taking in the full row of capsules. MOVE: SLOW DOLLY OUT over T=3.0-6.5 revealing the back wall. ACTION: behind Ilarion the SIX RELIQUARY CAPSULES HISS OPEN in a burst of icy vapour, frost glass sliding back to reveal SIX IDENTICAL BODIES — six Miras, eyes closed in eternal sleep, upright in the capsules screen-centre-background. Ilarion's hand stays on Mira's shoulder. EYELINE: ILARION screen-right at Mira; MIRA screen-left, then past him to the bodies. SHOT 3 [6.5-9.5s]: SHOT 3 — MS — 50mm. MIRA — restate: she faces SCREEN-LEFT, camera behind her shoulder on the near side of the axis, eye level. MOVE: SLOW PUSH-IN over T=6.5-9.5 toward her face. ACTION: Mira's face turns from Ilarion screen-left to the six sleeping copies beyond, freezing in paralysed horror, frost-breath stalling; the red diodes strobe. EYELINE: MIRA screen-left then screen-centre at the six bodies. A whisper comes here. SHOT 4 [9.5-12.0s]: SHOT 4 — ECU — 85mm. MIRA — restate: facing SCREEN-CENTRE-LEFT, camera on the near side of the axis, eye level. MOVE: QUICK PUSH-IN over T=9.5-11.5 then SMASH TO BLACK at T=12.0. ACTION: extreme close on Mira's eyes blown wide with horror, a single reflected row of frosted capsules glinting in her wet eye, a cold whisper of her own voice hitting her — then the frame smashes to total black. EYELINE: MIRA screen-centre, transfixed. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.