Image - 2026-09-14 18:57

A traditional hand-drawn FILM STORYBOARD SHEET for scene 1: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. This scene is already cut into 4 shots. Draw NINE panels covering them in strict chronological order, distributing the panels across the shots in proportion to each shot's length: a long shot gets several panels showing how it develops, a short one gets a single panel. Every panel must respect the camera position and framing written in its shot — that is the staging, not a suggestion. Where a shot says the camera is on one side of the action, do not draw it from the other side. SHOT 1 [0.0-1.0s]: BEAT A — MACRO INSERT — 85mm — CAMERA: tight push-in on the bright orange mandarin resting on the Capybara's wet head. ACTION: The vivid orange mandarin fills frame, dripping, still. HARD CUT at T=1.0s. SHOT 2 [1.0-2.0s]: BEAT B — MACRO INSERT — 85mm — CAMERA: low skimming over the water surface. ACTION: Thick white volumetric steam rolls over the smooth grey stones; droplets sparkle. HARD CUT at T=2.0s. SHOT 3 [2.0-3.0s]: BEAT C — WS — 24mm — CAMERA: low angle, looking up. ACTION: НЛО (facing SCREEN-LEFT) looms over the pool, underside glowing green, about to strike. HARD CUT at T=3.0s. SHOT 4 [3.0-5.0s]: SHOT MAIN — MS — 35mm — CAMERA: ahead, eye level, looking at the Capybara. ACTION: A sharp conical neon-green tractor beam is already active, hammering into the water around the Capybara. Droplets, steam and leaves rip upward in a chaotic anti-gravity surge. Капибара sits absolutely immovable; the mandarin does not shift a millimeter. EYELINE: Капибара SCREEN-RIGHT. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.