Image - 2026-09-14 15:07

trrCreate an exact 10-second, 16:9 landscape, 30fps, normal real-time-speed, ultra-photorealistic cinematic live-action video recreating ONLY the actual five-shot visual performance of the uploaded reference video, using the uploaded character reference as the strict identity source and preserving the exact face, facial structure, skin tone, hairstyle, body build, height and natural proportions with zero identity drift; preserve the same outfit visible in the reference: light white/cream long-sleeve fitted top and light-blue loose/wide-leg jeans, with the same hairstyle and natural styling throughout. The entire video takes place on a beautiful elevated green mountain viewpoint with rolling grassy hills, a distant valley town, layered blue-green mountains and large dramatic white clouds under bright natural late-afternoon sunlight; maintain the same soft cinematic depth of field, slightly blurred distant background, natural green-and-blue color palette, warm sunlight on the subject, realistic skin tones, natural wind and premium photographic look. SCENE 1 — 0.0–2.0s: wide rear three-quarter shot of the girl standing/walking on the grassy viewpoint with her back mostly toward camera, facing the mountain valley; she begins moving naturally toward the RIGHT side of the frame along the hillside, taking relaxed steps while her arms stay loose near her sides, then her upper body subtly turns toward the scenery; strong natural wind moves her long hair sideways and backward, with the expansive mountains and valley dominating the background; camera remains at a low-to-medium eye-level scenic position with very smooth restrained tracking matching her movement. SCENE 2 — 2.0–4.0s: hard cut to a wide side/rear composition at the same mountain viewpoint showing her seated sideways on a large dark circular tire-like object embedded in the grass, with a second reddish/pink tire-like circular object immediately beside it; she sits relaxed with her torso upright, legs extending toward the LEFT side of the frame, hands resting naturally around her lap/legs, head turned toward the distant valley and mountains, remaining mostly still while her hair moves gently in the breeze; camera is static and wide, keeping the full seated pose, grass, tires, valley town and mountain layers visible. SCENE 3 — 4.0–6.0s: hard cut to a wide rear/three-quarter shot on another section of the same grassy hillside; the girl is standing and walking naturally toward the LEFT side of the frame, seen mostly from behind with her head turned slightly toward the mountain scenery; her arms swing subtly with the walking rhythm, her long hair flows behind her in the wind, and her wide-leg jeans move naturally with each step; camera smoothly follows laterally from behind while maintaining approximately the same distance and full-body framing, with the lush green hillside filling the foreground and mountains behind. SCENE 4 — 6.0–8.0s: hard cut to a medium side/front three-quarter shot with the valley town and layered mountains behind her; she stands mostly still, body angled slightly sideways, looks toward the RIGHT side of the frame, gently lifts her RIGHT HAND to the hair near her right shoulder/neck and lightly touches or adjusts it, then holds the relaxed pose; her expression remains soft and calm, hair continues moving naturally in the breeze, and the camera stays stable with only subtle natural handheld movement. SCENE 5 — 8.0–10.0s: hard cut to a medium-wide side-profile shot against the same mountain valley; she faces toward the LEFT side of the frame and gently brings both hands forward in front of her torso in the same subtle expressive gesture visible in the reference, then holds them naturally while looking upward/out toward the mountains; her shoulders remain relaxed, hair moves softly in the wind and the loose jeans follow natural body movement; camera remains steady and intimate, preserving the same mountain, cloud, valley and grassy landscape composition. Maintain exact chronological order: Scene 1 rear walking RIGHT → Scene 2 seated sideways on tire → Scene 3 rear walking LEFT → Scene 4 standing and touching hair → Scene 5 side-profile with hands raised gently forward. Every shot is a separate hard cut; do not merge scenes or make the character physically travel between unrelated shots. Reproduce only the specified movements, poses, head directions, hand positions and camera behavior; no extra walking, dancing, spinning, waving or invented gestures. Preserve realistic wind-driven hair movement, natural cloth and denim folds, authentic footsteps, body weight shifts, grass movement, atmospheric mountain haze and photographic depth of field. Ignore all lyrics, emojis, captions and other post-production text visible in the reference and do not reproduce them. STRICT NEGATIVE CONSTRAINTS: no identity drift, no face morphing, no hairstyle change, no outfit change, no extra people, no extra props, no extra tires, no location change, no invented choreography, no exaggerated expressions, no wrong walking direction, no random camera movement, no excessive zoom, no slow motion, no speed ramp, no freeze frame, no artificial transitions, no artificial motion blur, no text, no subtitles, no captions, no lyrics, no emojis, no logo, no watermark, no dialogue, no voice and no narration; the uploaded reference video remains the absolute source of truth for the exact five-scene sequence, character movement, pose, camera framing, camera movement, environment, lighting and overall visual appearance.