Art style: Retro Village Comedy. Full-length view, the entire figure visible from head to feet, standing upright, figure centered with the environment filling the sides. A weathered man in his early sixties, "the Professor" — former scientist and expert on artifacts and anomalies. Lean, slightly stooped build, average height, pale weathered skin, deep forehead creases. Thick grey-white unkempt hair swept back, bushy grey eyebrows, short salt-and-pepper beard, round wire-rimmed spectacles slipping down a long nose. He wears a faded olive canvas field jacket over a knitted brown sweater vest, patched grey trousers tucked into scuffed rubber galoshes. A cracked leather satchel and a battered handheld anomaly detector hang from his shoulder; a dosimeter clipped to his chest. He clutches a glowing green mineral artifact in one gloved hand, peering at it with curious, slightly bewildered eyes. Behind him: a rusty abandoned village outpost, wooden fence, dusk mist, tangled overgrown weeds. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: 1960s Soviet colour film comedy aesthetic — Sovcolor film-stock look with a warm faded ochre-green palette, soft contrast, sun-blown highlights, visible film grain and slight gate weave, real rural village locations (whitewashed clay cottages with thatched roofs, wicker fences, sunflowers, geese and chickens underfoot), mostly tripod-mounted wide and medium shots with smooth pans following the action, theatrical operetta-style acting with exaggerated facial expressions and comic pauses, vivid folk costumes, lively physical slapstick. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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